Elizabeth Flux

For playwright Vidya Rajan and director Stephen Nicolazzo, adapting Melina Marchetta’s beloved novel for the stage was an opportunity to explore new angles and themes.

In an era where the Hollywood machine has not looked kindly on hard-to-categorise titles, the success of the Daniels’ universe-hopping hit shows that audiences are ready to embrace the strange.

Hovering, Unlimited Futures, The Burnished Sun, The Writer Laid Bare

The Psychic Tests, After the Tampa, Bodies of Light, In Moonland

Hysteria, Song of the Crocodile, Honeybee, Everything In Its Right Place, Dark Wave, Late Sonata

The Fogging, Kokomo, Loner, Real Life, Why Visit America, The Most Beautiful Job in the World

As Hong Kong’s independence and rights are eroded by the day, I am filled with a rage and sorrow that I feel I have no claim to. What does the future look like for a place I love?

Fathoms; Smart Ovens for Lonely People; The Rain Heron; The Spill; Rise & Shine; Sweatshop Women vol.2

The Adversary; The Animals in that Country; Only Mostly Devastated; Exciting Times; Stone Sky Gold Mountain; Almost A Mirror

With home ownership a distant fantasy for many Australians, could living in a cemetery be an unorthodox solution? Peeling away the superstition, graveyards both challenge our ideas of land and property, and remind us that money doesn’t only divide us in life.

White Tears/Brown Scars, The Testaments, Offshore & Listurbia

Little Stones, Maybe You Should Talk To Someone, Sweatshop Women Volume 1

Conversation with Alison Evans on their new YA novel Highway Bodies, exploring gender through genre, apocalypse contingency plans and why zombie stories should never die.

Call Me Evie, Imperfect, You Know You Want This