*
When I arrive for my first shift, Secret Diary of a Call Girl is playing on the TV. A Sex in the City box set sits on the shelf beside Pretty Woman. Two women chat and watch the show; I try and study. I gather from the conversation that one is on her second shift, and the other has been working for months. The newer one picks through her larger bag, decanting items (lipstick, a hairbrush, clean underwear) into a smaller clutch.
I give up trying to highlight snippets of literary theory. ‘What’s the worst booking you’ve ever done?’ I ask.
The more experienced woman thinks for a minute.
‘I don’t think I’ve ever really had a worst one. You find something to like about each guy.’
Too-perfectly on cue, a woman in a hot pink dress sashays in and flops dramatically onto the couch. ‘Oh my god, I just got pissed all over for an hour.’ We all make noises of sympathetic disgust. She gives a little wave of her hand. ‘He’s one of my regulars, he has pancreatic cancer,’ she continues. ‘I’ve been seeing him every week for months, and he has so much trouble getting an erection. But he’s such a sweetie, I love him.’
*
Often I drive past the apartment where I had my first booking and can’t stop myself from looking over at it, looking to see if the light is on, remembering with photographic detail walking up the steps and pressing the doorbell. We drink vodka with orange juice and smoke on opposite sides of the kitchen counter. I swivel anxiously on the bar stool; take note of the skulls he has as decoration (we have similar taste in décor). I tell him he’s my first client. He says I seem so confident/am I nervous/tell him if there’s anything I’m not comfortable with. I am grateful, think he’s sweet. He asks if it would make me uncomfortable if he had some cocaine. I say not at all, go ahead. He asks if I want any, then quickly adds that he doesn’t mean to pressure me but thought it polite to offer. I laugh and say no thank you. He snorts the cocaine through a sterile straw – the cash thing, he says, is a bit gross.
*
Realistic representations of working in the sex industry are rare. Narratives such as Secret Diary of a Call Girl (2007) and Lisa Lou’s Red Velvet: Memoirs of a Working Girl (New Holland, 2006) cater to an audience that desires titillation, exhibiting the glamour and risqué aspects of the work. The ‘secret’ and ‘luxurious’ temptations are present in the titles and the marketing; Red Velvet’s cover, unsurprisingly, matches the title, with cursive text, and a red satin and black lace garter looped around the book to up the intrigue. Secret Diary of a Call Girl’s opening title is close-up after close-up of Belle getting ready for a booking: applying makeup, rolling up stockings, putting on high heels and jewellery.
These kinds of representations rely on images of luxury and titillation to seduce an audience into a fantasy of debauchery. On the other end of the scale, there are documentaries such as Tricked (2013), exposing the darker aspects of the industry. These biographies of human trafficking survivors who were forced into the work against their will, important as they are, cater to an entirely different audience wanting entirely different narratives.
Finding a nuanced representation of the industry is difficult, primarily because sex workers are not a homogeneous group, and each sex worker has a different experience. Secret Diary of a Call Girl doesn’t show the grotesque: having sex with someone with poor hygiene, or terrible sex with someone who thinks they’re great, or the constant presence of drugs, or being covered in bodily fluids, or rude and manipulative clients (though it does show a manipulative, exploitative agent, which is far more common). And a documentary like Tricked won’t tell the stories of sex workers who love their jobs, and the nurturing relationships they create with longtime clients they have come to adore.
Finding a nuanced representation of the industry is difficult, because each sex worker has a different experience.
‘I’ve seen a therapist for years, but seeing you girls has helped me feel better than they ever have,’ a client, whose anxiety was so severe he couldn’t leave his house, told me.
Some of the most common clients are people with disabilities or illnesses that impact their sexual and/or social abilities. The arrangement allows them a safe space to connect with another person, and explore their sexual desires without embarrassment or humiliation. While this does raise the issue of men’s entitlement to sex and women’s bodies, the intimacy developed through this kind of relationship can be incredibly deep and healing, and I know of more than one escort who ended up marrying a client she met this way.
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