Sleaze-hounds and Artists on Oath: The State of Australian Biography
Gideon Haigh
In his latest book, Summertime, J.M. Coetzee continues his recent metafictional experimentations by positing an alternative self, the late John Coetzee, as a biographical subject. Critics have dwelt at fascinated length on the disfigurement to which Coetzee submits himself: his fictional alter ego is an unvarnished misanthrope, a sexual cipher. Yet the biographer, known simply […]