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Culture
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Memoir
Fiction
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Debut Spotlight
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Write for KYD
Tips on Pitching
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Online Courses ⬀
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Culture
Society
Memoir
Fiction
Adapting
The Hate Race
for Theatre
Maxine Beneba Clarke
Kill Your Darlings
New Critic: The Haunting of Palestine in
Enter Ghost
Gurmeet Kaur
A New Way of Looking at
Alibrandi
Elizabeth Flux
‘My Politics – It’s Not a Brand’: Conversation with Zoë Coombs Marr
Matilda Dixon-Smith
A Beginner's Guide to the Opera
Elizabeth Flux
A Séance: Perth Stadium, inequality and the fear of the unknown
Gerard McArtney
Fleabag
and Sex Positivity: A Conversation with Maddie Rice
Alice Cottrell
Adhocracy: Lifting the curtain on the creative process
Jane Howard
Creative Space: The secret power of community theatres
Jane Howard
The (Sometimes) Beauty of Being Alone at the Theatre
Jane Howard
Front row at the theatre wars: Simon Stone’s
The Cherry Orchard
Dion Kagan
KYD No. 13 Teaser: 'Notes on
Theatre Notes
: The Importance of Being Seen'
Kill Your Darlings
The Tennessee torpor: ITCH Productions’
Vieux Carré
Dion Kagan
A climate of mendacity:
The Heretic
Timothy Roberts
Five favourite mean mums
Review:
Lady Chatterley's Lover
, Australian Shakespeare Company
Timothy Roberts
Interview with Tamara Saulwick, creator and performer of Pin Drop
Murderous monologue: Barrie Kosky's
The Tell-Tale Heart
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Read
Culture
Society
Memoir
Fiction
News
Debut Spotlight
New Australian Fiction
Podcast
Write
Write for KYD
Tips on Pitching
Awards & Prizes
Manuscript Assessments
Mentors Program
Online Courses ⬀
Shop
Memberships
Books
Online Writing Courses ⬀
Manuscript Assessments
Gift Vouchers
Members
Member Benefits
Writing Opportunities
Pitch, Publish, Promote
Pub Talk
KYD News Hub
Giveaways
About Us
About KYD
Contributors
Advertise
FAQ
Contact Us